Jump to searchboxZur Sprachauswahl springenJump to navigationJump to contentJump to footer
Menu

#eislerlab_digital – Kirill Gerstein invites: Iván Fischer

Prof. Kirill Gerstein

After the successful launch of the Online Forum during the 2020 summer semester, “Kirill Gerstein invites” now enters its second round! Students, teachers and interested members of the public are once again invited to the online seminars in which piano professor Kirill Gerstein talks to renowned musicians and scientists. During the 13 online seminars which have taken place so far, he has spoken with Thomas Adès, Ian Bostridge, Iván Fischer, Brad Mehldau and Andreas Staier, among others. For the opening event this winter semester, Gerstein has been able to reinvite Iván Fischer, founder and music director of the Budapest Festival Orchestra. The live event begins at 6:30 pm on October 7 and focuses on “Monteverdi’s Orfeo and the rebirth of the Greek tragedy”. The seminar will be conducted in English. Fischer will explain, among other things, why he has composed a new end for the opera and why, in his opinion, Claudio Monteverdi failed to revive the theatre of Greek antiquity with his work.

Wednesday
Oct. 7, 2020
6:30 pm

Please register for the seminar by clicking here.

Recordings of past „Kirill Gerstein invites…“ events can be found in our Archive.

#eislerlab

Karl Heinrich Wendorf #eislerlab
Karl Heinrich Wendorf #eislerlab © Leonard Higi

#eislerlab – music, discussion, impulses

The #eislerlab was launched in the cafeteria of the Marstall building of the Hanns Eisler School in winter semester of 2018 under the motto “Music, Discussion, Impulses.” In this relaxed atmosphere, students, instructors, and guests explore questions such as: What will characterize the musician of tomorrow? How can we link our musical activities with other art forms? How can we further develop ourselves artistically along digital pathways? What role can we musicians play in an increasingly diverse and globalized society?

Prof. Andrea Tober #eislerlab
Prof. Andrea Tober #eislerlab © Leonard Higi

During this digital creative semester, the Hanns Eisler School is pursuing the development of the #eislerlab as a platform for dialogue, and presenting a new #eislerlab module: beginning immediately on these pages, #eislerlab_digital will display offerings on #eislerlab topics. The series “Kirill Gerstein invites...” provides an upbeat for this new feature.

Beginning in winter semester of 2020, the previous #eislerlab is being relaunched as #eislerlab_live, once again featuring stimulating topics, talks, and get-togethers.

#eislerlab_digital: Kirill Gerstein invites

Prof. Kirill Gerstein

The Online Forum by and with Kirill Gerstein, professor of piano at the Hanns Eisler School of Music Berlin, is a new series of discussions with renowned musicians and scholars such as Iván Fischer, Ian Bostridge, John Deathridge, Thomas Adès, Gergely Fazekas und Braad Mehldau designed for students, instructors, and interested members of the public.

For videos click here.

Three Masterclasses with Steven Isserlis

Steven Isserlis
Steven Isserlis © Joanna Bergin
Prof. Claudio Bohórquez
Prof. Claudio Bohórquez © Peter Adamik

In a live online stream, Prof. Claudio Bohórquez presents three performance master classes with the renowned British cellist Steven Isserlis.

ONLINE PERFORMANCE MASTER CLASSES
Steven Isserlis / Cello

MON June 22, 2020 | 6 pm
Thoughts on the Bach Cello Suites
FRI June 26, 2020 | 6 pm
Beethoven’s Sonatas for Piano and Cello – A Portrait of the Growth of a Genius
MON June 29, 2020 | 6 pm
Robert Schumann – The Greatest Romantic of All?

Steven Isserlis gives three online master classes for instrumental students of the Hanns Eisler School, live from London and Berlin on June 22, 26 and 29 at 6 pm as part of #eislerlab_digital.
Claudio Bohórquez, cello professor at the Eisler School, presents the live performance from the Studiosaal at the School; Steven Isserlis joins from London via live stream. Johann Sebastian Bach’s Cello Suites are the focus of the first master class; the second date is devoted to Beethoven’s Sonatas for Piano and Cello, and Robert Schumann and Romanticism are the centrepiece of the third master class.