Prof. Paul-Georg Dittrich
- 2007 to 2011: Studied directing at the Hamburg University of Music and Theatre
- Productions at, among others, the Stuttgart State Opera, Deutsche Oper Berlin, Cologne Opera, Aalto Music Theatre Essen, Kassel State Theatre, Halle Opera, Hamburg State Opera, Linz State Theatre, the Volkstheater Vienna, Schauspiel Frankfurt, Theater Bremen, Staatstheater Braunschweig, Staatstheater Darmstadt, Theater Heidelberg, Theater Bielefeld, Theater Münster, Schauspielhaus Vienna, Theater Augsburg, Staatstheater Schwerin, Theater Oberhausen, Theater Aachen, Theater Kiel and at Kampnagel Hamburg
- Awards include the 2018 Hamburg Theatre Prize Rolf Mares in the category ‘Outstanding Production’ for ‘I.th.Ak.A.’ by Samuel Penderbayne at the Hamburg State Opera, and the 2017 German Theatre Prize FAUST – Nomination in the category “Music Theatre Direction” for the opera production “La damnation de Faust” by Hector Berlioz at Theater Bremen, German Theatre Prize FAUST 2016 – Nomination in the category “Music Theatre Direction” for the opera production “Wozzeck” by Alban Berg at Theater Bremen
- Invitation to the 2017 Theatertreffen NRW with the production “Die Wand” based on the novel by Marlene Haushofer at Theater Aachen
- Founding member of the interdisciplinary music theatre collective “HearEyeSay”
- Production of Richard Wagner’s complete “Ring” at the Cologne Opera, spread over four seasons
- Since 2025, visiting professorship in music theatre direction at the Hanns Eisler School of Music, Berlin
- Concurrently, visiting lecturer at the Hamburg University of Music and Theatre
- From the 2026 summer semester, Head of the Music Theatre Direction and Production Dramaturgy courses at the HfM Berlin
- Artistic focus: Poetic storytelling, creative integration of audio-visual media, experimental forms of performance, unconventional spatial concepts, contemporary symbiosis of musical and spoken theatre, theatre as a place of conflict and contradiction that enables dialogue between people