The conductor and Eisler graduate will take up her position as 1st Kapellmeister at the Komische Oper from the 2022|23 season. In 2017 Erina Yashima completed her Konzertexamen with Prof. Baum and Prof. Ehwald.

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The Hanns Eisler School of Music Berlin becomes a member of the network of the newly created international artistic exchange program of the Royal Academy of Music in London.

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Why is a scholarship so important for our students? We asked scholarship holders what the funding means for them. And scholarship providers talk about their motivation to support students.

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All school members are invited to the workshops on University Day to exchange ideas about the future of the school: What should the training of artistic personalities of the future look like, what do we want to work on together?

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Juta Pranulytė, Sina Fani Sani, Gérman Alonso and Fabrizio Funari are the winners of the competition in cooperation with the Deutsche Oper Berlin. The opera works created as part of the cooperation will be premiered in April 2023.

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The students of the horn class of Prof. Sibylle Mahni and previously of Prof. Marie-Luise Neunecker have recently been particularly successful and have won numerous positions and solo positions in German orchestras, including Cristiana Neves Custódio, Efe Sivritepe, Sarah Ennouhi, Pedro Ribeiro, Julius Hochwimmer and Mercedes Gutierrez Dominguez.

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The baritone Nikolay Borchev has been appointed professor for voice at the Nuremberg University of Music from the winter semester 21|22. He studied at the Eisler with Heinz Reeh, Julia Varady and Wolfram Rieger.

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The 27-year-old American-Korean violinist and Eisler student from Prof. Kolja Blacher's class will be first concertmaster of the Hamburg Philharmonic State Orchestra, which is directed by GMD Kent Nagano, from the 21|22 season.

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The French harpist Marie-Pierre Langlamet - principal harpist of the Berliner Philharmoniker - will take over the harp class for WS 21 | 22.

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The musicological public lecture series of this winter semester is dedicated to music in the GDR and questions how it is dealt with in the present.

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Tommaso Pratola has been the solo flutist of the Latvian National Symphony Orchestra in Riga since the 19|20 season. Now he has won the special prize for the best interpretation of a contemporary work at the Aeolus Wind Competition.

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The soprano and Eisler graduate from Anna Samuil's class won first prize, the audience prize and two special prizes in Barcelona.

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